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Be careful here. Don’t turn it up too loud and fool yourself into liking the result just because it’s louder. Do your best to match the input volume with the output volume of the compressor. We tend to think louder is better when it’s not really better, it’s just louder. Here’s a short video tutorial I shot below to show all of this in action on a mix I’ve started. Check it out!
The sound of blues is predominantly the relationship between the major and minor 3rd, and the tritone. Dorian is perfect for blues music because it blends so well with the pentatonic scale, offering combinations of both. Plus, the distance between the minor 3rd and major 6th present in Dorian is also a tritone!
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In this edition of “Talking Points,” influencial composer Igor Stravinsky shares his thoughts on composition, creativity, craftsmanship, and other topics.
The form here is also a puzzle box, making me use up all eight of my form abbreviations, not to mention the chorus variation and verse variations. So that’s actually 10 distinct sections, people! #Winning.
If two signals that are mirror-images of one another are combined, they attenuate each other. This is often called “phase cancellation” (which in truth is a bit imprecise, but will do for now). You can demonstrate this cancellation easily in your DAW by bringing up two identical tracks and then flipping the phase of one by hitting the polarity switch, usually rendered with a symbol resembling “Ø.”
Let’s examine the guitar more closely. Imagine that the guitar’s low E string has a frequency of 1 Hz. (It’s really 82.4069 Hz; feel free to multiply everything in this next section by that number if you want actual frequencies.) You want your high E string to be tuned two octaves higher than the low one, at 4 Hz. Let’s see if you can get there by tuning the strings pairwise.
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There are many more harmonics (infinitely many more, in theory) but these first five are the most audible ones, and they’re the only ones you need in order to build yourself a versatile tuning system.
All pay their members on a regular basis, either quarterly or monthly. The dates these distributions will occur are listed in advance. In fact, it’s so dependable there’s even a term for it — “mailbox money.”
Mentor: Sırma Munyar
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“The situation with PledgeMusic is incredibly heartbreaking for musicians and their fans,” says Bandzoogle’s Director of Artist & Industry Outreach, Dave Cool. “And it’s yet another reminder that as an industry, we need to do much better by the musicians we’re trying to help. With Bandzoogle, artists can be assured that any money their fans pledge to their campaigns is reaching them directly, and immediately.”