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I’m not surprised that creative feedback makes a difference; it’s the kind of feedback I wished I got from my own music teachers, not to mention my peers.
Following some standard doubling of the main guitar riff during the song’s introductory chorus, Jameson erupts with some root-octave slapping in the verse. He follows this with a couple high pops up on the neck and a slide down to the relative minor. The pulsation of F# with the fifth below it and alternating with the A just above it generates a funkier feel than you’d ever expect from a hard rock song with a simple three-note guitar hook. The sequence is repeated several times in the verse and, in spite of all the other cool riffs in this song, leaves you wanting to hear more.
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Domenico Dragonetti’s three-string double bass, on which he was considered Europe’s greatest virtuoso, hangs today at the Victoria and Albert Museum in London. He was born in Venice in 1763, and took up music at a young age. His talent was picked up on immediately, and at 13 years old, Dragonetti was appointed principal player at the Opera Buffa in Venice. The following year, he earned the principal double bass position in the Grand Opera Seria at the San Benedetto Theatre, and further high employments in Venice.
There’s something so exciting about the start of a new tour. Whether you’re revisiting towns in which you have an active following and fans lining up to see you, or you’re just starting to venture out and explore totally new areas, the feeling of embarking on a new musical adventure is really special.
Before you think about production or even buy a microphone, you must first create a plan for your episode structure. Will you have an intro and outro? Is there music? How are you licensing that music? Will there be segments or is it one long interview or monologue?
Grants for musicians to record
John Belushi struck up a relationship with Fear after becoming a quick fan seeing them on another TV show and commissioned them to write a song for the movie Neighbors. The band, however, wrote the song for Belushi himself to sing, which he recorded reluctantly. The movie’s producers refused to use it, but Belushi still wanted to do right by Fear, so he booked them on Saturday Night Live as the musical guest for the Halloween Special in 1981.
Our editor Jeremy actually recommended I write about this one and, boy, did he choose a good one. This video of the grunge gods, Nirvana, performing at the Video Music Awards, starts off with “Rape Me,” which they were told not to play at the event. After the show, Krist Novoselic threw his bass up in the air and hit himself in the head with it. Then, the band pulled a Who and got destructive with Dave Grohl running to the mic and calling out, “Hi, Axl!” to Guns N’ Roses’ Axl Rose.
In the live version above, he almost looks bored while he absolutely shreds — especially in comical contrast to the insane antics of his eccentric bandmates.
MTV helped break punk in the ’80s, ’90s, and continued through the ’00s with so many alt-rock bands that have become classic simply by virtue of their televised videos. Regardless of what the content of MTV has become of late, we still have a lot to be thankful for in the past.
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